An AI Commercial in the Style of Adventure Science Fiction
For Ojciec Okienko — a well-known Polish window-industry influencer and the man behind Oknario — we were asked to create a futuristic commercial. Together with the client, however, we went further and developed the idea into a fully fledged science-fiction short.
The year is 2062. As the company celebrates its fiftieth anniversary, Ojciec Okienko leaves the Oknario Home 3.0 showroom on Obornicka Street in Poznań to inspect a demanding installation. He is accompanied by his trusted crew and the latest installation android, which quickly becomes the target of a machine thief.
On the surface, we created a dynamic road story with a chase and real stakes. Beneath the action was a clear objective: to present Oknario as a company that consistently develops its premium segment and combines the experience of its team with modern technology.
The story explores teamwork, openness to new solutions and responsibility for the entire project — not only the choice of a premium product, but also its correct installation. The company’s values emerge through the characters’ decisions and the way they solve each successive problem together.
The future was more than a backdrop. We designed both Poland in 2062 and the world directly connected with Oknario’s business, including a futuristic version of Obornicka Street and the company’s Poznań showroom.
For the film, we created three future versions of the crew, corresponding to successive stages in the company’s development. In the most distant version, the story introduces Lumen — a premium installation android — and Kira, an android thief and the film’s antagonist.
The project is a model example of working with a client who clearly defined the business and brand objectives. We refined the direction together, while we handled the entire production process: from the logline, screenplay and shot breakdown through frame and shot creation to editing and publication on YouTube.
We also prepared an English-language version with a manually developed transcript and translation. We did not rely on YouTube’s automatic translation because it did not provide the linguistic or contextual quality required for publication.
We built the audiovisual language around the rhythm, tension, composition and sonic energy of classic science fiction, creating an original world shaped by the story.
This was one of our first productions to use Kling 3.0, which was a technological novelty at the time. During production, a new version of the lip-sync tool was also released, so we regenerated every dialogue scene.
Lip sync remains a major challenge in AI filmmaking as of August 2026. The process often causes a visible loss of quality compared with the original shot, and in our experience Polish still performs significantly worse than English and Chinese.
During production, the world, characters and plot gradually expanded, and the project naturally evolved into a short film.
The result was a science-fiction film running over eight minutes — an AI production delivered in line with the client’s expectations. Instead of presenting the offer directly, we translated Oknario’s character into a story about people who retain responsibility and control even in a world of advanced technology.